Immersive City of Fables – Admission Ticket

Six rooms, one poet, nonstop storytelling. The City of Fables experience (90 minutes total) turns La Fontaine’s world into a built, walk-through staging across 1000m2, with live actor-introduced storytelling and showtime theater energy. What I really like is the top-tier cast bringing each fable to life, and the way the rooms add games and photo moments instead of just asking you to look. One thing to keep in mind: it can feel a bit tricky for very small kids, so plan on helping them pace the story (especially around the more chaotic or intense scenes).

You start right inside a 17th-century setting with La Fontaine as your host, then move room to room through different animal fable worlds—ending with a 25-minute 360° projection show. The visit is wheelchair accessible, offered in French and English (with some content shown in original language), and it’s not suitable for people with epilepsy.

Key moments worth planning for

• 1000m2 of scenography built for walking, not just viewing
• An actor guide in 17th-century attire to set the tone from the start
• Six fable-themed rooms, each with its own atmosphere and interactive bits
• Wolf Room extras like a photo booth, skill games, and collectibles
• Lion Room tech + audience art, including a fresco of visitor drawings animated with AI
• Dream Room finale: a 25-minute 360-degree video show with musical direction by Bon Entendeur

Booking a ticket for City of Fables: what you’re really buying

This is a 90-minute, multi-room performance based on La Fontaine and his fables. The ticket gives you more than entry—it comes with a guided introduction by an actor dressed for the 1600s, so you’re pulled into the story right away instead of wandering alone.

At about $21 per person, the value comes from how much is included in that time. You get a full sequence: several themed environments, interactive stations, and a final 25-minute 360° dream show that’s meant to feel like the climax. If you like theater, storytelling, or hands-on museum-style fun, the ticket tends to feel fair for what you experience in one sitting.

Finding the entrance inside Galerie Berri-Washington

Your meeting point is inside the Galerie Berri-Washington, at 5 Rue de Berri. Look for the green carpet and follow the water lilies that guide you through the pedestrian gallery until the City of Fables welcome area.

If you’re going with kids, this is one of those experiences where being a few minutes early helps. You’ll settle in faster, and you won’t be racing to catch the flow of the story once you enter.

Step into La Fontaine’s office: the 17th-century prelude

The first stop feels like you’ve walked into Jean de La Fontaine’s workspace. You’re surrounded by the right kind of period atmosphere, and the show frames what you’re about to see: the poet’s legacy of 243 fables.

Why this matters: it sets expectations. Instead of treating each fable like a random “room theme,” the office ties the rooms together as a narrative journey through La Fontaine’s imagination. It also gives you context fast, which is a big plus if you don’t already know the stories.

Fox Room: courtiers, flattery, and a garden staging

Next, you move into a 17th-century French garden scene. Under a tree, the experience stages The Crow and the Fox, with courtiers and the art of flattery in the spotlight.

You’ll also find the “Fox’s den” area, where the environment shifts from public social games to the more hidden side of how the fox operates. It’s a good room for people who like story staging that’s visual and a little theatrical, not overly academic.

Practical note: because this room is built around a scene, you’ll want to stay aware of where the walkthrough paths narrow. It’s not described as a maze, but any constructed set can create pinch points in crowds.

Wolf Room: full-moon mood, skill games, and photo ops

The Wolf Room turns the tone darker and more reflective. The staging places The Wolf and the Dog on a full moon evening at the forest edge, balancing themes of independence versus the comfort of belonging.

This is also where the experience adds extra layers. You’ll find a photo booth, skill games, and what’s described as rich mediation and collectibles. That combination makes the room feel like it has both atmosphere and participation.

If you’re traveling with teens or adults who prefer active breaks, this is a strong stop. It gives your brain something to do besides watching.

Frog Room: water lilies, big dreams, and audience staging

Then it’s time for the pond world. Under Jean de La Fontaine’s watchful presence, you step into a pond filled with water lilies, built around the fable of the vain frog (Who wanted to be as big as the ox).

This room also includes The Frogs Who Ask for a King. One of the most fun promises here is audience involvement: you can stage yourself in full size for the theme of the moment. A jukebox of fables with music adds another way to keep the story flowing as you move from station to station.

Family tip: if you’re bringing a child who needs quick reassurance and clear targets, this room usually works well. It’s visually memorable, and the “try it yourself” parts give kids a job, not just a viewing assignment.

Lion’s Room: the animals meet by video, and scapegoats enter

The Lion’s Room focuses on The Animals Sick with the Plague. In this part, the animals come together in a video conference style setup, and the story shifts toward a darker social mechanism: they look for a scapegoat to atone for their misfortunes.

The set includes a fresco of drawings made by visitors, and those drawings are animated with AI. There are also skill games here, which helps keep the room from turning into pure lecture mode. It feels more like a live conversation with the story’s themes.

One consideration: the subject matter isn’t cruel, but it’s not fluffy either. It may land differently depending on your kids’ age. If you’re bringing a younger child, be ready to help them separate the scary parts from the lesson.

Dream Room finale: the 360° show you’ll remember

The grand finale is the Hall of Dreams, a 25-minute show with 360-degree video projections. You’re enveloped by a timeless experience, and the experience is described as produced in collaboration with Ateliers BK, with musical direction by Bon Entendeur.

This is the emotional and sensory payoff. Even if you came for the fables, the dream show is the reason many people feel the experience is “more than a museum” once you’re done.

Practical tip: this is a longer fixed segment than the earlier walk-through moments. If you’re with small kids, plan to arrive without rushing, so you’re not trying to handle fatigue during the finale.

The cast: why the performances matter more than you’d expect

The tour’s biggest advantage is the performance lineup. Jean de La Fontaine is played by Laurent Stocker from the Comédie-Française. The animal roles are performed by Alexandre Astier (Lion), Arielle Dombasle (Wolf), Charles Berling (Fox), Felix Junier (Donkey), Hubert Myon (Dog), Axelle Saint-Cirel (Raven), and Marie S’infiltre (Frog).

Why I’m emphasizing this: in a multi-room attraction, the acting quality is what prevents it from becoming “just sets.” With a strong cast, each room feels like a scene in a single show, not separate attractions stapled together.

Also, musical direction by Bon Entendeur helps tie the tone across rooms. You’re not just hearing a soundtrack—you’re getting a consistent theatrical mood.

Languages, pacing, and how to plan your visit

The experience offers French and English, and the host or greeter can support you. Some content is shown in its original language, so if you only speak English (or only French), don’t assume every moment will be fully translated.

Duration is 90 minutes, and you’ll want to treat it as a planned block. Don’t stack another ticket right after unless you’re confident you can handle the finish time with a little buffer—this experience ends on a show that’s meant to be watched through.

As for people with epilepsy: this is listed as not suitable. If that applies to you or someone you’re traveling with, skip it.

Where this works best (and where it might not)

This is built for 0 to 99 years old, so on paper it’s family-friendly. Still, one review detail you should take seriously is that it can be a little difficult for a child around age 5, even if the child finds it fun. That fits the reality of a performance that moves through multiple themes and can shift tone quickly.

You’ll probably get the most satisfaction if:

• You enjoy storytelling and don’t mind being guided from scene to scene
• Your group includes at least one person who likes theater or performance
• You want something better than a standard gallery visit—more doing, less just looking
• You can help younger kids pace themselves between rooms

You might want to rethink if:

• You need a very quiet, low-stimulation activity
• You’re traveling with someone sensitive to themed scenes that include social conflict elements
• Epilepsy is a factor

Should you book the City of Fables ticket?

Yes, if you want a 90-minute Paris experience that feels like theater and not just an exhibit. The combination of 1000m2 scenography, multiple fable rooms with interactive elements, and a memorable 360° Dream Room finale makes it good value for the time.

Book it sooner rather than later if you’re traveling with kids who love hands-on moments, because the experience mixes skill games, photo fun, and audience participation. If you’re unsure about age fit, plan for extra patience and support during the stronger scenes, and keep your expectations realistic for very young attention spans.

FAQ

Where is the meeting point?

Inside the Galerie Berri-Washington at 5 Rue de Berri. Follow the green carpet and water lilies to reach the welcome area.

How long is the experience?

The duration is 90 minutes.

What’s included with the admission ticket?

You get the admission ticket plus a visit introduced by an actor dressed in 17th-century attire.

What languages are available?

French and English. Some content may be shown in its original language.

Is it wheelchair accessible?

Yes, the experience is wheelchair accessible.

Is it suitable for children?

It’s labeled for ages 0 to 99, but some parts may be challenging for very young kids who need more pacing help.

What are the main parts of the journey?

You’ll visit a sequence of themed rooms: La Fontaine’s office, Fox Room, Wolf Room, Frog Room, Lion’s Room, and then the Hall of Dreams finale.

How long is the final show?

The Hall of Dreams is a 25-minute show with 360-degree video projections.

Who are some of the performers?

Jean de La Fontaine is played by Laurent Stocker. Animal roles include Alexandre Astier (Lion), Arielle Dombasle (Wolf), Charles Berling (Fox), Felix Junier (Donkey), Hubert Myon (Dog), Axelle Saint-Cirel (Raven), and Marie S’infiltre (Frog).

Is it suitable for people with epilepsy?

No. It is not suitable for people with epilepsy.